REVIEW: Pete Lawrie – “All That We Keep” EP

I was recently hipped to Pete Lawrie, an up-and-coming singer/songwriter from the UK, after posting about another such artist, Rumer. I was able to get my hands on his 3-song EP (albeit with two additional original remixes to the title song), “All That We Keep,” for a quick review for you all.

Lawrie is a born and bred UK man with music in his blood. His self-written bio on his website makes me envious of a life I wish I had. Born on Penny Lane to an oboe-playing mother and woodwind repairing father. In fact, his first memory is of his grandfather giving him a trumpet. Oh, and that grandfather? He played the horn on “Strawberry Fields.” Yes, that “Strawberry Fields.”  He would spend his summers in the south of France, taking the car there with a potpourri of classic artists to bide the time.

To say he was destined, no, fated to be a musician is an understatement.

His EP is a simple affair, both in volume and music. The title track kicks off the EP, immediately introducing you to Lawrie’s smokey rasp. It’s reminiscent of Ray Lamontagne with a touch of John Mayer’s vocal swag. That is to say, imagine if Lamontagne had fewer cigarettes and still sang. It’s rough and soft all at the same time. The song itself speaks of the few things we have left when “we’re laid down to sleep.” In my opinion, this is an extended metaphor for death, “the bags you packed” being the memories you’ve kept with you along the way.  Lawrie actually notes in his bio that death has been a predominant theme in his recently written music.

“The Penny Drop” is a wonderfully atmospheric song, driven by what sounds like a bowed Bass and a beautifully arranged string section. The finger-picked  guitar, along with the falsetto harmonies from Fyfe Dangerfield, give the song almost a haunting quality. However, that’s not to say the song frightens, it’s more that it allows the music to fully envelope and surround you as a listener.

The final original (it’s actually a cover of an old Jay-Z joint that samples an old soul tune [thanks Joe!]) song on the EP is “Song Cry” featuring Lauren Pritchard, who sounds slightly like a young Joss Stone but with a more playful tone to her sound. The song grooves substantially more than the former two – never underestimate the power of a well utilized shaker. There’s a bit of a call-and-response between Lawrie and Pritchard, as they very candidly lament a relationship lost. Neither party has fully expressed the extent of their emotions for each other, so they “gotta make the song cry” to prove their love. There are some very witty lines in this one, perhaps that’s what makes the song so endearing. Any listener can put themselves in the place of either Lawrie or Pritchard and remember their own regrets in the world of love.

“Song Cry” is a wonderful ending to a solid 3-song debut. There are two more songs on the EP, remixes to the title track “All That We Keep.” They’re fun and add a little more dimension to an artist whose promise seems to me to be unending. Below you can download “All That We Keep” and my preferred remix from the EP by River Kids featuring Shad. If you’re still not convinced, check out “How Could I Complain” below. It’s my second favorite song of his after “Song Cry.” So, download the 2 free tracks and enjoy an evening of great folk/blues by Pete Lawrie.

(Download is closed. Hit me up with any questions)

MP3: “All That We Keep”

MP3: “All That We Keep (River Kids Remix feat. Shad)”

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NEW VIDEO: Lissie – “Cuckoo”

You already know this blog is a fervent proponent of singer/songwriters and in particular the lovely Lissie.

The wonderful music blog, The Music Slut, just posted on a newly released video for “Cuckoo,” one of Lissie’s more playful songs of her forthcoming album, “Catching a Tiger.” Check it out below and tell me what you think!

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Kanye West Debuts New Material at Facebook HQ

Courtesy of DiptNYC, I was alerted to the fact that Kanye West did a little stop-over at Facebook HQ. He debuted some new raps and material solely A Capella. The rhymes are kinda dope and make me pretty damn excited for what he’s got coming out on “Good Ass Job” (if that continues to be the name of his forthcoming album). What’s more interesting is how charming and friendly ‘Ye seems. Not to mention, he’s dressed to the nines in what, other than as of late, used to be typical Mr. West fashion. He looks great, sounds great, and it seems like he’s got his head in the right place again.

My favorite stanza of the new material is as follows:

“Kill the hypocrisy, this is an aristocracy. I’m Socrates, but my skin more chocolatey. Whats up with Hov?? That’s old news. I’m in a speedboat, in my boat shoes.”

Drake who??

First video is the new material, follow by “Mama’s Boyfriend” and “Chain Heavy.”

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Around the Internet: Kano, Matt Morris, KT Tunstall, and Lissie

With the help of Twitter and MusicWeek’s Weekly playlist, I’ve been browsing for some new musical inspiration. I’d like to share some sweet videos that I came across today in my interweb travels. They span the genres and are a slight insight into how expansive my musical tastes can be.

Let’s start with Matt Morris’s cover of The Beatles “Help.” Since WordPress doesn’t allow me to embed just anything, I’ll show you the original recording from Youtube. If you click the above link, it will take you to Justin Timberlake’s website, where the song has been set to a wonderfully beautiful video. If you haven’t checked out Matt Morris yet, please do so ASAP. He has a helluva voice and his new album is pretty solid.

Next up is KT Tunstall with “(Still A) Weirdo” live in Glasgow. You probably remember her songs like “Blackhorse and the Cherry Tree” and “Suddenly I See.” What was always most impressive about KT was her use of looping in her live shows. This video showcases not only her impressive voice, but also her looping skills a la Howie Day. I’m actually excited for her new album, “Tiger Suit.”

I’m going to give Lissie some love next because she showed up on MusicWeek’s playlist. I’ve already said everything I can say about her. I’ll just let you enjoy another song from her album, “Catching a Tiger.” Oh and she’s being supported by the ridiculously talented and host of the best music show ever, Jools Holland.

Lastly, I want to show you a couple of videos from Kano, a London-based rapper. I want you to watch the first video, “Upside” feat Michelle Breeze,  mostly for reasons of cinematography. I watched the video more than I listened to the song. The similarities between this and all the Guy Ritchie films, specifically Snatch and Rock N Rolla are startling. I loved how it was shot.

This second and final video, well, I just want you to end this post on a booty-shakin’ high note. Turn your computer speakers up and get freaky at your desk. Check out “Get Wild” feat. Aidonia and Wiley.

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Tuesday Tunes: Lost In Trees “All Alone In An Empty House”

If you need some music to chill you out as you push through the day, Lost In Trees’ “All Alone In An Empty House” will certainly fill that void for you. Currently, the album is streaming in full on NPR’s “All Songs Considered” until it officially releases on August 10th.

The album is a mash-up of David Gray-like vocals (sang by songwriter Ari Picker) and strong orchestral arrangements. In fact, there are two movements in the album that are strictly strings-only. I have to admit that those two pieces are probably my favorite. They allow the album to be more of a story, flowing from scene to scene. It’s certainly orchestral folk at it’s finest. The perfect balance between the two genres creates a potent mixture of emotion and passion within the songs.

It’s quite nice to see orchestral music slowly gaining a foothold within the public eye (just check out what my good friend Walt Ribeiro is doing over at For Orchestra). Let me know what you think of the album. I think it’s perfect for this wonderfully sunny, but not too hot, day. Sit back, take a deep breath, and open your ears to the wonderful sounds of Lost In Trees’ “All Alone In An Empty House.”

(Click on the picture for the Stream)

Official Site for Lost in Trees

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MIX-TAPE MONDAY: “Supreme Beings” – Jo Vos

Thanks to the awesome response I’ve received from my collaboration w/ N’East Style and Alex Grant on Date Night, I’ve decided to extend the playlist/mix-tape madness. From here on out, there will be a new series on “The History of My World”: Mix-tape Mondays! (So original, I know)

So, every monday I will be posting either an original, collaborative (if all goes according to plan), or third-party mix-tape that I’ve deemed groove-worthy. Today’s mix-tape comes from a good friend of mine and a great connoisseur of all things music, Jo Vos of VosFactory.com. Please stop by her blog and check it out. Besides having more mix-tape awesomeness, Jo puts together a great hodge podge of music information – tour dates, up and coming artists, videos, and more. You’d be remiss not to check it out.

Though her ass-kickery in the music biz is top-notch, Miss Vos’ talents abound. She is also a live stage stylist, brand consultant, and a newly established member of The Muse Box team. Needless to say, I’m glad to have her on my side. Look for more awesomeness from her at least once a month, right here on “The History of My World.”

Check out her amazing mix-tape tracklist below and click on the picture to be re-directed to the download site.

If you’d like to contact Jo regarding her services, hit her up here – vosfactory@gmail.com

So, liven up your Monday courtesy of “Vos Factory” and “The History of My World” and enjoy the tunes!

“Supreme Beings” Tracklisting

FADER (THE KNOCKS REMIX FEAT. SAMUEL) – THE TEMPER TRAP
PUMPED UP KICKS – FOSTER THE PEOPLE
HIGH ON YOUR LOVE – KINGS GO FORTH
EAGER FOR YOUR LOVE – TRISTEN
GOLD FOR THE PRICE OF SILVER – EROT VS. KINGS OF CONVENIENCE
BRIDES SONG – YUKON BLONDE
QUEEN DRUM (GRAHAM LESSARD REMIX) – YOUNG GALAXY
DOUBT – DELPHIC
DAVID – THE RADIO DEPT.
WHEN I GROW UP (D. LISSVIK OF STUDIO REMIX) – FEVER RAY
EASY (FABIAN REMIX) – DRAGONETTE
SO THIS IS GOODBYE (PINK GANTER REMIX) – WILLIAM FITZSIMMONS
JONA VARK – GYPSY & THE CAT
MISSING YOU (FEAT. AD-APT) – LOUIS LA ROCHE
SWIMMING – FLORENCE AND THE MACHINE
BUT YOU’RE SUCH A CHERRY – FIRES OF ROME
HOME (RAC MIX) – EDWARD SHARPE AND THE MAGNETIC ZEROS
EVERYWHERE I GO – LISSIE
I DON’T KNOW WHAT I CAN SAVE YOU FROM (ROYKSOPP REMIX) – KINGS OF CONVENIENCE
STRUNG OUT OVER YOU – WILLIAM BELL & MAVIS STAPLES

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When Worlds Collide: Shoes! Allen Edmonds and Cole Haan – pt. 2

If you ask my mom what pair of shoes I’ve wanted more than anything in the last year so, she’ll tell you it’s a pair brown lace-ups. I have been looking far and wide for the perfect pair. The one that speaks to me, whispers in my ear when I hold them up to my eyes, “Buy me, Gabe.” Alas, I had not found that pair until this past Saturday. I was in Nordstrom’s with my family visiting my sister (an intern who’s killing it in this summer), when I passed through the men’s shoe section. My eyes immediately focused in like a heat-seeking missile on these walnut brown cap-toe, perfed lace-ups. The detail was incredible and it was exactly what I was looking for. A brown that was versatile enough to wear with light and dark pants (chinos and jeans alike), yet also formal enough that I could wear them to events no problem. I looked inside the shoe and held my breath as I checked the price. $200, on sale. I let out a sigh and moved on. While an amazing shoe, it was currently too rich for my skinny wallet.

Enter my wonderful father. He looked at me and said, “I can tell you want them. If you’re serious, I’ll get them for you.” (He later said my eyes lit up like it was Christmas when I saw the shoes)

I looked at him in disbelief. I wasn’t sure if he had heard I said they were $200. I was beside myself and told him that we should take a walk first around the mall and we’ll see how I feel (mostly because I couldn’t believe what I was getting offered!). Long story short – you better believe I got those shoes.

I had to size down a half-size from what I normally wear (9.5 -> 9), but let me tell you – these fit like a glove. When I tried them on, I took two steps in them and said, “Ok. I’m good. Let’s get ‘em.” To which the salesperson replied, “Easiest sale I’ve made all day.” And it was an easy choice on my behalf. These leather upper/oak leather soled shoes are stiff as a board when you first try them on. But of course the beauty of said stiffness is that when you beat these shoes into the ground (as I intend to), the end result is feeling like you have a nicely shaped leather glove on your foot. I wore them yesterday to Brunch with my family and I’m wearing them today at work. I can already feel the sole adjusting the balls of my feet. That’s quality folks.

My favorite detail of these “Made in the U.S.A.”  shoes isn’t the remarkable perfed detailing or amazing quality of the leather. It’s the custom stacked leather heel that creates a slight gradient of browns. I was absolutely infatuated with this minute, but just as important, detailing.

And the absolute best thing about these? They will certainly last a lifetime (As the man, the myth, the legend Eli Getson pointed out). Allen Edmonds will re-craft any shoe they make, a testament to how well they’re made in the first place. So for a measly $30 bucks every few years, I will essentially have a brand new pair of Allen Edmonds. In a time of economic uncertainty (still), I consider these a most worthwhile investment.

Peek my brand-new, right-out-the-box picture on my tumblr.

All in all, it’s been a great shoe week.

Check out pt. 1 of my shoe reporting: Cole Haan Claremont Saddles.

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